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See Verso

A Guide to Looking Back

May 30 – July 3, 2024

LOUISA CHASE (1951–2016) Untitled (Fire Study)," 1983. Oil and wax on canvas, 22 x 26 in.

LOUISA CHASE (1951–2016)
Untitled (Fire Study), 1983
Oil and wax on canvas, 22 x 26 in.
Signed and dated (with initials, at lower right): L.C. 83; (on verso): Louisa Chase 1983

ALAN FELTUS (b. 1943), "One Afternoon in Tuscany," 1986. Alkyd on canvas, 70 x 48 in.

ALAN FELTUS (b. 1943)
One Afternoon in Tuscany, 1986
Alkyd on canvas, 70 x 48 in.
Signed and dated (at lower right): ALAN FELTUS 1986

ANGELA FRALEIGH (b. 1976), "Rooted in Constellations," 2021. Oil on linen, 90 x 66 in.

ANGELA FRALEIGH (b. 1976)
Rooted in Constellations, 2021
Oil on linen, 90 x 66 in.
Signed and dated (on verso): Angela Fraleigh 2021

OSVALDO LOUIS GUGLIELMI (1906–1956), "An Odyssey for Moderns," 1942–43. Oil on canvas, 24 x 30 in.

OSVALDO LOUIS GUGLIELMI (1906–1956)
An Odyssey for Moderns, 1942–43
Oil on canvas, 24 x 30 in.
Signed (at lower left): Guglielmi

JULIE HEFFERNAN (b. 1956), "Self Portrait with Birds in My Fingers," about 2005. Oil on canvas, 67 1/8 x 57 1/8 in

JULIE HEFFERNAN (b. 1956)
Self Portrait with Birds in My Fingers, about 2005
Oil on canvas, 67 1/8 x 57 1/8 in

JULES KIRSCHENBAUM (1930–2000), "Destruction of Babel," 1956. Oil on canvas mounted to Masonite, 15 x 24 in.

JULES KIRSCHENBAUM (1930–2000)
Destruction of Babel, 1956
Oil on canvas mounted to Masonite, 15 x 24 in.
Signed (at lower left with monogram): K [circled]

David Ligare (b. 1945), "Still Life with Polykleitian Head and Candles (Idea)," 2018. Oil on canvas, 42 x 54 in.

DAVID LIGARE (b. 1945)
Still Life with Polykleitian Head and Candles (Idea), 2018
Oil on canvas, 42 x 54 in.
Signed and dated (with initial, at lower right): L;  (verso): D. Ligare / 2018

ROBERT MINERVINI (b. 1981)

ROBERT MINERVINI (b. 1981)
The Excluded (2 Vases), 2019
Acrylic on canvas, 34 x 22 in.
Signed, dated, and inscribed (on verso): Robert Minervini / 2019 / 2 Vases

RUTH RAY (1919–1977), "The Portal," 1945. Oil on canvas, 17 1/8 x 14 1/8 in.

RUTH RAY (1919–1977)
The Portal, 1945
Oil on canvas, 17 1/8 x 14 1/8 in.
Signed and dated (at lower right): Ruth Ray 1945

RUTH RAY (1919–1977), "Venus De Milo," 1963. Oil on canvas, 40 x 30 in.

RUTH RAY (1919–1977)
Venus De Milo, 1963
Oil on canvas, 40 x 30 in.
Signed and dated (at lower right): Ruth Ray 1963

WINOLD REISS (1886–1953), "Expulsion from the Garden," n.d. Pastel on black paper, 20 x 25 5/8 in.

WINOLD REISS (1886–1953)
Expulsion from the Garden, n.d.
Pastel on black paper, 20 x 25 5/8 in.

HONORÉ SHARRER (1920–2009), "The Play," 1997. Oil on canvas, 18 x 19 in.

HONORÉ SHARRER (1920–2009)
The Play, 1997
Oil on canvas, 18 x 19 in.
Signed (at upper right): Sharrer

Press Release

“See Verso” is most often seen in the registration notes for a work of art. Labels, inscriptions, and dates find themselves grouped in with this term to describe the contents found on the backs of pictures. But what does see verso mean when taken out of this literal context? It is an indication that there is something more; you must look back to produce something new. See Verso: A Guide to Looking Back showcases an eclectic group of modern and contemporary artists who look back to their art predecessors as a means of fully understanding them.

Each work in See Verso possesses a unique mythic quality. Greco-Roman classicism, the art historical canon, biblical narratives, and the natural world are adapted onto canvas and paper as allegories, symbols, and as subjects themselves. Through these references, the artists are inviting us to look to history’s so-called “end product” to examine the present, and in turn render it changeable. Perhaps these myths shift or challenge perceptions. Perhaps they heighten them. One thing is certain: they ensure that history is not left in the past.

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