GEORGE WESLEY BELLOWS (1882–1925)
Grammy Ames’ House, No. 1, 1916
Oil on panel, 18 x 22 in.
Inscribed (by the artist’s wife, at lower left): Geo Bellows / ESB
FRANK WESTON BENSON (1862–1951)
A Strike, 1907
Watercolor on paper, en grisaille, 10 3/4 x 10 3/4 in.
Signed and dated (at lower left): F. W. Benson. 1907.
ALBERT BIERSTADT (1830–1902)
Butterfly (Red, Orange), about 1893
Oil on paper, 5 x 8 in.
Signed (at lower left): Albert Bierstadt
CHARLES EPHRAIM BURCHFIELD (1893–1967)
Cobwebs in Autumn, 1949
Watercolor on paper, 18 x 25 in.
Signed with monogram and dated (at lower right): CEB / 1949
O. LOUIS GUGLIELMI (1906–1956)
The American Dream, 1935
Oil on Masonite, 21 1/2 x 30 in.
Signed and dated (at lower left): Guglielmi / ’35; (on the back): O. Louis Guglielmi / ’35 // “The American Dream
CHILDE HASSAM (1859–1935)
New York Street Scene (Rainy Day, New York), 1892
Watercolor, gouache, and charcoal on paper, 15 x 10 1/4 in.
Signed and dated (at lower right): Childe Hassam 1892
JOSEPH “JOE” JONES (1909–1963)
Demonstration, 1934
Oil on Masonite, 48 1/8 x 72 1/8 in.
Signed and dated: (at center right): Joe Jones / x24 [illeg.] Ano / 1934
JULES KIRSCHENBAUM (1930–2000)
Without the Hope of Dreams, 1953
Oil on canvas, 84 1/8 x 36 1/8 in.
Signed and dated (on the skull, at lower right): Jules Kirschenbaum / 1953
BLANCHE LAZZELL (American, 1878–1965)
Study for “Painting No. I” (Still Life with Bottle, Piano, and Guitar), 1924
Oil and gouache on paper, 10 x 9 1/4 in.
Signed and dated (at lower right): Blanche Lazzell, 1924
BLANCHE LAZZELL (1878–1965)
Study No. 4 for “Painting XII”, 1929
Gouache on paper, 8 7/8 x 8 in.
Signed, dated, and inscribed (at lower left): Blanche Lazzell 1929; (on the back): Study no. 4 / for Painting XII / by Blanche Lazzell
REGINALD MARSH (1898–1954)
Cabaret, 1938
Tempera and pencil on gessoed panel, 35 3/4 x 23 3/4 in.
Signed (at lower right): REGINALD MARSH
GEORGE LOVETT KINGSLAND MORRIS (1905–1975)
Shipyard Construction, 1944
Watercolor on paper, 9 1/2 x 8 in.
Signed (at lower right): Morris
ANNA MARY ROBERTSON “GRANDMA” MOSES (1860–1961)
Lower Cambridge Valley, 1942
Oil on panel, 22 x 26 in.
Signed twice (at lower left): Moses; (at lower right): Moses
CHARLES SPRAGUE PEARCE (1851–1914)
Woman in Profile with Black Hair (The Artist’s Wife), 1880s
Oil on canvas, 13 7/8 x 10 3/4 in.
Signed (at lower left): CHARLES–SPRAGUE–PEARCE
MAURICE BRAZIL PRENDERGAST (1858–1924)
Woman at a Table, about 1893–94
Watercolor on paper, 15 3/16 x 8 3/16 in.
Signed and inscribed (at lower left): To my friend Bicknell / Prendergast
FRITZ WILHELM WINOLD REISS (1886–1953)
Portrait of Robert Nathaniel Dett, about 1925
Pastel on Whatman board, 20 x 15 1/8 in.
Signed (at lower left): WINOLD / REISS
HONORÉ DESMOND SHARRER (1916–2001)
Afternoon at the Beach, 1990
Oil on canvas, 30 x 32 in.
Signed (at upper right): Sharrer
The American Art Fair returns to a live event in time for its fifteenth anniversary. An exhibitor for each of the Fair's 15 years, Hirschl & Adler will feature works from its extensive collection of American paintings and watercolors, including works by George Bellows, Frank Benson, Charles Burchfield, O. Louis Guglielmi, Childe Hassam, Edward Hopper, Joe Jones, Reginald Marsh, Maurice Prendergast, and many others.
