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The Winter Show 2025

A Benefit for East Side House

January 24 – February 2, 2025

"Gentleman's Dressing Bureau," about 1815–19. Charles-Honoré Lannuier (1779–1819; active 1803–19), New York. Mahogany, 66 in. high, 36 in. wide, 20 1/2 in. deep

Gentleman's Dressing Bureau, about 1815–19
Charles-Honoré Lannuier (1779–1819; active 1803–19), New York
Mahogany (secondary woods: mahogany, pine, and poplar), with brass-over-wood baguette molding around the mirror, ormolu mounts, gilt-brass sabots and drawer pulls, and mirror plate
66 in. high, 36 in. wide, 20 1/2 in. deep

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"Pier Table," about 1817–22. Attributed to Duncan Phyfe (1768–1854; active 1794–1847), New York. Rosewood, with gilded maple feet gilded, ormolu mounts, marble, and mirror plate, 36 1/4 in. high, 42 1/4 in. wide, 18 1/8 in. deep (overall)

Pier Table, about 1817–22
Attributed to Duncan Phyfe (1768–1854; active 1794–1847), New York
Rosewood, with maple [probably] feet gilded (secondary woods: tulip poplar), with die-stamped brass inlay inset with rosewood, ormolu mounts, marble, and mirror plate
36 1/4 in. high, 42 1/4 in. wide, 18 1/8 in. deep (overall)

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"Side Chair with Inlay," about 1891–93. Tiffany Glass & Decorating Company (active 1892–1902), New York. Primavera and American ash, with elaborate floral carvings, and varicolored wood and metal micro mosaic marquetry, glass balls in brass claw feet

Side Chair with Inlay, about 1891–93
Tiffany Glass & Decorating Company (active 1892–1902), New York
Primavera and American ash, with elaborate floral carvings, and varicolored wood and metal micro mosaic marquetry, glass balls in brass claw feet
35 1/4 in. high, 18 1/4 in. wide, 18 1/2 in. deep (overall)

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"Japanesque Gasolier with Longwy Mounts," about 1879. Design attributed to Christian Herter (1840–1883), New York. Brass, cast and spun, with silver-plate finish, pottery mounts, lighting mechanism, and glass shades, 58 in. high, 43 in. wide, 43 in. deep

Japanesque Gasolier with Longwy Mounts, about 1879
Design attributed to Christian Herter (1840–1883), New York
Manufactured by Mitchell, Vance & Co., New York (active 1873–c. 1902)
Brass, cast and spun, with silver-plate finish, pottery mounts, lighting mechanism, and glass shades
58 in. high, 43 in. wide, 43 in. deep

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CHARLES COURTNEY CURRAN (American, 1861–1942), "Girl in Window Seat," 1892. Oil on canvas, 18 3/8 x 26 in.

CHARLES COURTNEY CURRAN (American, 1861–1942)
Girl in Window Seat, 1892
Oil on canvas, 18 3/8 x 26 in.
Signed, dated, and inscribed (at lower right): CHAS・C・CURRAN・1892・NY

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THOMAS WILMER DEWING (American, 1851–1938), "May (Springtime, Welcome Sweet Springtime)," before 1921. Oil on canvas, 20 x 24 in.

THOMAS WILMER DEWING (American, 1851–1938)
May (Springtime, Welcome Sweet Springtime), before 1921
Oil on canvas, 20 x 24 in.
Signed (at lower right): T W Dewing

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OSVALDO LOUIS GUGLIELMI (American, 1906–1956), "An Odyssey for Moderns," 1942–43. Oil on canvas, 24 x 30 in.

OSVALDO LOUIS GUGLIELMI (American, 1906–1956)
An Odyssey for Moderns, 1942–43
Oil on canvas, 24 x 30 in.
Signed (at lower left): Guglielmi

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PHILIP LESLIE HALE (American, 1865–1931), "Autumn Fruits," about 1911–12. Oil on canvas, 30 x 25 in.

PHILIP LESLIE HALE (American, 1865–1931)
Autumn Fruits, about 1911–12
Oil on canvas, 30 x 25 in.
Signed (indistinctly, at lower right): P L HALE

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LILLA CABOT PERRY (American, 1848–1933), "The Pink Beret," about 1911–12. Oil on canvas, 27 x 21 1/2 in.

LILLA CABOT PERRY (American, 1848–1933)
The Pink Beret, about 1911–12
Oil on canvas, 27 x 21 1/2 in.
Signed with initials (over edge of stretcher): LCP

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WINOLD REISS (German American, 1886–1953), "Natokiochkome (Howling Twice)," 1937. Mixed media on paper, 29 x 21 in.

WINOLD REISS (German American, 1886–1953)
Natokiochkome (Howling Twice), 1937
Mixed media on paper, 29 x 21 in.
Signed (at lower right): WINOLD / REISS

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