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Grasp of Relations

Abstraction & Seriality

Nicol Allan, Louisa Chase, Robert Natkin, Stanley Twardowicz

October 28 – December 2, 2022

a small paper collage by Nicol Allan with a blue curve against a tan and blue rectangle on a bisected field of cream and gray
a small paper collage by Nicol Allan with a black circle centered on a field of gray, with darker gray lines surrounding it
Louisa Chase (1951-2016), FACE to ECAF Study, 1985
Louisa Chase (1951-2016), Untitled, 1985
Louisa Chase (1951-2016), Untitled, 1985
Louisa Chase (1951-2016), Untitled, about 1985
Louisa Chase (1951-2016), Untitled, 1985
Louisa Chase (1951-2016), Untitled, 1985
Robert Natkin (1930–2010), Field Mouse Series, about 1970
a painting by Robert Natkin from his Field Mouse series, show irregular shapes and lines floating on a light-colored gauzy background
a large painting by Robert Natkin from his Field Mouse series, showing a tangle of irregular shapes and patterns on a gauzy yellow background
a colorfield painting by Stanley Twardowicz done with an airbrush showing a luminous band of lilac blending into a large dominant field of red
a colorfield painting by Stanley Twardowicz done with an airbrush showing a luminous band of blue blending into a large dominant field of orange into a band lilac at the bottom
a colorfield painting by Stanley Twardowicz done with an airbrush showing a luminous band of orange blending into a large dominant field of lilac into a block of pink at the bottom
a colorfield painting by Stanley Twardowicz done with an airbrush showing a luminous band of orange blending into a large dominant field of lilac into a field of pink at the bottom

Press Release

Abstract art or non-pictorial art is as old as this century, and though more specialized than previous art, is clearer and more complete, and like all modern thought and knowledge, more demanding in its grasp of relations.
—Ad Reinhardt

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