Skip to content

Art Basel Miami Beach 2025

December 5 – 7, 2025

Art Basel Miami Beach, Booth H3: installation view from aisle

Art Basel Miami Beach, Booth H3: installation view from aisle

Art Basel Miami Beach, Booth H3: installation view from aisle

Art Basel Miami Beach, Booth H3: installation view from aisle

Art Basel Miami Beach, Booth H3: installation view from aisle

Art Basel Miami Beach, Booth H3: installation view from aisle

Art Basel Miami Beach, Booth H3 "Kabinett": installation view

Art Basel Miami Beach, Booth H3 "Kabinett": installation view

Art Basel Miami Beach, Booth H3: installation view showing Elizabeth Catlett "Torso" in foreground and John Snyder ."..And Acquainted with Grief" in background.

Art Basel Miami Beach, Booth H3: installation view showing Elizabeth Catlett Torso in foreground and John Snyder ...And Acquainted with Grief in background.

Art Basel Miami Beach, Booth H3: installation view showing Elizabeth Turk sculptures in foreground and paintings by Julie Heffernan (left) and Angela Fraleigh (right) in background.

Art Basel Miami Beach, Booth H3: installation view showing Elizabeth Turk sculptures in foreground and paintings by Julie Heffernan (left) and Angela Fraleigh (right) in background.

Art Basel Miami Beach, Booth H3: installation view Joan Snyder diptych, "...And Acquainted with Grief" (left) and Franz Kline, "Chatham Square" (right).

Art Basel Miami Beach, Booth H3: installation view Joan Snyder diptych, ...And Acquainted with Grief (left) and Franz Kline, Chatham Square (right).

ELAINE DE KOONING (1918–1989), "Cave #27," 1984. Acrylic on paper mounted on linen, 56 x 72 in.

ELAINE DE KOONING (1918–1989)
Cave #27, 1984
Acrylic on paper mounted on linen, 56 x 72 in.
Signed with initials and dated (at lower right): E de K ‘84 

JANE FREILICHER (1924–2014), "Hill and Sky," 1963. Oil on canvas, 25 x 30 in.

JANE FREILICHER (1924–2014)
Hill and Sky, 1963
Oil on canvas, 25 x 30 in.
Signed and inscribed (at lower right): Jane Freilicher; (on stretcher): “Hill and Sky” Jane Freilicher; (in script, on back of canvas): “Hill and Sky”
Painted in 1963
 

, LONNIE HOLLEY (b. 1950), "Untitled (Horn & Wine Bottle), Floor Piece," about 2002–03. Mixed media assemblage, 49 1/2 in. high x 38 1/2 in. wide x 14 1/4 in. deep

LONNIE HOLLEY (b. 1950)
Untitled (Horn & Wine Bottle), Floor Piece, about 2002–03
Mixed media assemblage, 49 1/2 in. high x 38 1/2 in. wide x 14 1/4 in. deep
 

FRANZ KLINE (1910–1962), "Chatham Square," 1948. Oil on canvas, 41 x 30 in. Signed (at lower left): FRANZ KLINE

FRANZ KLINE (1910–1962)
Chatham Square, 1948
Oil on canvas, 41 x 30 in.
Signed (at lower left): FRANZ KLINE
 

JOAN SNYDER (b. 1940) , "And Acquainted with Grief [Diptych]," 1997. Oil and mixed media on canvas, 48 x 108 in.

JOAN SNYDER (b. 1940)
… And Acquainted with Grief [Diptych], 1997
Oil and mixed media on canvas, 48 x 108 in.
 

NILES SPENCER (1893–1952), "In Fairmont," 1951. Oil on canvas, 65 1/2 x 41 1/2 in.

NILES SPENCER (1893–1952)
In Fairmont, 1951
Oil on canvas, 65 1/2 x 41 1/2 in.
Signed, dated, and inscribed (at lower right): NILES SPENCER – ©; (on back edge): Niles Spencer ’51 In Fairmont
 

WILLARD WATSON, a.k.a. THE TEXAS KID (1921–1994), "Untitled (The Wreck)," 1980. Colored marker and pencil on 100% rag board, 13 1/4 x 15 in.

WILLARD WATSON, a.k.a. THE TEXAS KID (1921–1994)
Untitled (The Wreck), 1980
Colored marker and pencil on 100% rag board, 13 1/4 x 15 in.
Signed and dated (at lower right): The Texas Kid / 80–

PURVIS YOUNG (1943–2010), "Shackles," early 1970s. Paint on window shade with paper and fabric, 17 x 23 1/2 in.

PURVIS YOUNG (1943–2010)
Shackles, early 1970s
Paint on window shade with paper and fabric, 17 x 23 1/2 in.

Press Release

Hirschl & Adler is proud to announce its 14th consecutive year in Art Basel Miami Beach. Fulfilling a crucial role at the fair, H&A will offer some of the finest examples of 20th-century American Modernism by influential and diverse artists including Edward Hopper, Reginald Marsh, Winold Reiss, Andrew Wyeth, and others. Also featured will be important Post-War work by Joan Snyder, Elaine DeKooning, Elizabeth Catlett, Franz Kline, Jules Olitski, and others.

H&A will further augment its main presentation by participating in the Kabinett program with an installation of Southern vernacular American art focusing on three important artists: Purvis Young (Miami, Florida, 1943–2010); Willard Watson, (Caddo Parish, Louisiana, 1921–1995); and Lonnie Holley (Birmingham, Alabama, b. 1950). All three artists are Southern, self-taught Black artists whose work emerges from conditions of historical neglect, marginalization, and personal resilience—and who each create deeply narrative, visionary, and socially rooted art. Together they create a visual language that serves as record of systemic injustice, urban decay, rural displacement; as resistance through spiritual reinvention and mythmaking; and as a kind of resurrection of both self and community. All three artists depict a world that is at the same time broken and sacred, and they build from the materials at hand—both literal and historical. They each draw from the urgency of experience with little separation between their life and art. Their improvisational style and historical memory make them witnesses and crucial archivists of a reality many institutions previously ignored.

Back To Top