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Regionalist

THOMAS HART BENTON (1889–1975). Going to Church, about 1930s–40s. Watercolor, ink wash, and graphite, en grisaille, 10 1/2 x 14 1/2 in.

THOMAS HART BENTON (1889–1975)
Going to Church, about 1930s–40s
Watercolor, ink wash, and graphite, en grisaille, 10 1/2 x 14 1/2 in.
Signed (at lower right): Benton

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Everett Gee Jackson (1900–1995), Man and Woman with Acacia Tree, 1932. Oil on canvas, 19 3/4 x 27 3/4 in.

EVERETT GEE JACKSON (1900–1995)
Man and Woman with Acacia Tree, 1932
Oil on canvas, 19 3/4 x 27 3/4 in.
Signed and dated (at lower left): Everett Gee Jackson ‘32

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EVERETT GEE JACKSON (1900–1995), To Pick the Top Crop, 1932

EVERETT GEE JACKSON (1900–1995)

To Pick the Top Crop, 1932

Oil on canvas, 31 7/8 x 32 in.

Signed (at lower left): Everett Gee Jackson

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EVERETT GEE JACKSON (1900–1995), The Fishing Barge, c. 1933

EVERETT GEE JACKSON (1900–1995)

The Fishing Barge, c. 1933

Oil on canvas, 37 1/2 x 44 1/2 in.

Signed (at lower left): Everett Gee Jackson

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Related Content

Galleries Inventory

CHARLES EPHRAIM BURCHFIELD (1893–1967), "Cobwebs in Autumn," 1949. Watercolor on paper, 18 x 25 in. (detail).

Charles Burchfield (1893–1967)

Cobwebs in Autumn APG 21201D 1949

JAMES CHAPIN (1887–1975), "Call Girl," 1956–60. Oil on canvas, 36 1/8 x 30 1/2 in. (detail).

James Ormsbee Chapin (1887–1975)

Call Girl APG 21178D.005 1956–60

PHILIP EVERGOOD (1901–1973), "Fat of the Land," c. 1940–41. Oil on canvas, 28 x 46 in. (detail).

Philip Evergood (1901–1973)

Fat of the Land APG 21198D c. 1940–41

Everett Gee Jackson (1900–1995)

Everett Gee Jackson (1900–1995)

To Pick the Top Crop APG 20341D.002 1932

Edmund Lewandowski (1914–1998)

Edmund Lewandowski (1914–1998)

Farm Buildings APG 8780 1940

PAUL SAMPLE (1896–1974), San Pedro Harbor, 1937. Oil on canvas, 30 x 40 in.

Paul Sample (1896–1974)

San Pedro Harbor APG 8962 1937

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