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Regionalist

THOMAS HART BENTON (1889–1975). Going to Church, about 1930s–40s. Watercolor, ink wash, and graphite, en grisaille, 10 1/2 x 14 1/2 in.

THOMAS HART BENTON (1889–1975)
Going to Church, about 1930s–40s
Watercolor, ink wash, and graphite, en grisaille, 10 1/2 x 14 1/2 in.
Signed (at lower right): Benton

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Everett Gee Jackson (1900–1995), Man and Woman with Acacia Tree, 1932. Oil on canvas, 19 3/4 x 27 3/4 in.

EVERETT GEE JACKSON (1900–1995)
Man and Woman with Acacia Tree, 1932
Oil on canvas, 19 3/4 x 27 3/4 in.
Signed and dated (at lower left): Everett Gee Jackson ‘32

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EVERETT GEE JACKSON (1900–1995), To Pick the Top Crop, 1932

EVERETT GEE JACKSON (1900–1995)

To Pick the Top Crop, 1932

Oil on canvas, 31 7/8 x 32 in.

Signed (at lower left): Everett Gee Jackson

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EVERETT GEE JACKSON (1900–1995), The Fishing Barge, c. 1933

EVERETT GEE JACKSON (1900–1995)

The Fishing Barge, c. 1933

Oil on canvas, 37 1/2 x 44 1/2 in.

Signed (at lower left): Everett Gee Jackson

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Related Content

Galleries Inventory

Thomas Hart Benton (1889–1975)

Thomas Hart Benton (1889–1975)

Going to Church APG 21092D c. 1930s–40s

Everett Gee Jackson (1900–1995)

Everett Gee Jackson (1900–1995)

To Pick the Top Crop APG 20341D.002 1932

Everett Gee Jackson (1900–1995)

Everett Gee Jackson (1900–1995)

The Fishing Barge APG 20124D c. 1933

Edmund Lewandowski (1914–1998)

Edmund Lewandowski (1914–1998)

Farm Buildings APG 8780 1940

PAUL SAMPLE (1896–1974), San Pedro Harbor, 1937. Oil on canvas, 30 x 40 in.

Paul Sample (1896–1974)

San Pedro Harbor APG 8962 1937

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